When you read fanfic:

What are you looking for in a story initially?

Bare minimum, I'm looking for something non-cliched, coherent and geared toward an adult mind. If the author behaves like a giggly school girl (which is usually apparent in the header/notes of the fic), then I won't even look at it. Inserting a Mary Sue or Mary Sue-ing one of the main characters, will also get the boot. If those elements are absent, I'll usually proceed with giving the fic 10 paragraphs before I make the decision if I will continue reading it.

What helps you enjoy a story?

Good characterization. It goes a LONG way in helping me to enjoy a story. I can forgive a lot of mediocre plots or story lines if the characters are at least nailed down.

A good idea is the next thing. If the idea is different - or a twist on what's gone before, then that helps in the enjoyment. Of course, a well executed idea goes even further. Smooth writing - skilled writing - that's a tremendous help in keeping my interest.

What will turn you off to a fic?

Bad characterization - if I can't recognize who the people I'm reading are, then the whole point of reading fanfic has been lost. I have many original fiction books, if I want to read those I'll go to my bookshelf. I read fanfic for a certain type of fix - to read more on characters I already know and like and want more of beyond the canon source - to read "what-if" or furth elaborations. So OOC fics are pointless to me.

Cliched romance stories and sex scenes randomly tossed into a story to make it NC-17 are also a turn-off. And nothing is more disappointing than a well written story that takes a turn for sex when it's not needed. I don't mind graphic sex in a fic if it has a purpose to the story. I don't mind PWPs either - but when you have a great plot/character driven story and graphic sex just shows up for the hell of it - God, I hate that. It's distracting - in a bad way. I've read so many stories where for half of it I'm thinking "yeah, Yeah, YEAH!" and the other half going, "Oh, no, No, NO!" - that's always a tragedy.

Do you like to be surprised by a story? (this can mean anything from a pairing to a plot twist).

I like a surprise if the author can pull it off. It's a tough trick that's great and wonderful when done well - or godawful bad when not. I'm not opposed to the surprise, I guess I should say - but sometimes weary of it depending on the author.

What I love is when the author has an idea that I didn't consider before, or didn't previously think it was plausable, and they still pull it off and make me like it. Those are great fics if they can get me to consider a different point of view. I commend any author that can do that.

How long do you give a story before you give up on it?

Typically a few pages. I find weeding out the pure drek can be done fairly easily by what people put in the notes/headers of their fics (horrendous spelling and grammar is usually revealed at the notes/header stage as well). If it looks like a 15 year old wrote it, I'll toss it out. Not that I have anything against 15 year olds, whether it's their physical or mental age, it's just not my thing. So once those are tossed off the "readable" pile, the next thing I look for is coherent logical sentence structure. If that's there, I then look for characterization. If that's there, I'll look for story idea. If I get into that, I'll generally read the whole thing. You can usually tell by the second page (maybe 10 paragraphs, give or take) if the story will contain all those elements.

Do you read fics that you know aren't written very well, but you like the idea enough to keep reading till the end?

I will if the idea is a damn good one. Not everyone can be a great writer, that doesn't mean they don't have kickass ideas. Sometimes I'll read the entire fic, if it's not epic long, just to see the follow through of the idea. I've read badly written fics that had some good ideas. I think most of us have read fics and have thought "Now, I wonder what that would look like if a good writer got a hold of that. . ." Anyway, I've always saw fanfic as a means for people to express their views on the book/series/movie, and as long as people put forth effort and at least try to write, that's a good thing. Most of the population never even attempts anything creative. So good for anyone that tries, even if it is bad by most standards. I might not read it, but good for them anyways. If the idea is at least intriguing, and I can recognize the characters, then yeah, I might read it. Might.
Okay, I finally headed over to see the results of Shiai fanfic contest that somebody was nice enough to nominate me in. Now, I don't want to sound like I'm bitter over not winning, because I'm not - as I said, there were some nice people out there that decided to nominate me - and were it not for them, I'd never even know about the contest. I also think there were quite a few fics posted to the contest that were as good or much better than mine, so it's not all about me. But dear God, what were the judges thinking???

Moreso, what were the creators of the contest thinking?

Here's a list of how the judges are to score:

Spelling and Grammar - 10
Plot - 20
Flow - 10
Characterization - 15
Creativity - 15
Category Specifics - 30
Total: 100

Now, this is their contest and they can run it however they want - but even on the "winner" page the webmaster was shocked by some of the results. She says "But the numbers don't lie." Well, no. But the scoring method sucks.

The contest follows the same sort of format that the Nanashi Fanfic Contest does. It's not exact, but it's pretty close. Nothing against the Nanasho contest, but every single GW contest out there that doesn't go by voting at large uses the same model at Nanashi. People, please stop. That's their gig, try something new.

But let look at the score Shiai uses a little closer.

    Spelling and Grammar - 10

    Spelling and Grammar: A few typos are acceptable, but any major, repetitive problems with grammar and/or spelling will be marked off.


Why is this part of the scoring at all? A fic with so many spelling and grammar problems that you need to subtract points, should just be tossed out. Period.

    Plot - 20

    Plot: Scored according to if there actually is a plot if a fic isn't marked as PWP. A relatively easy to follow plot is a good thing. Choppy plots full of plot-holes will get marked off.


Again, if this is your only criteria for plot, then you just toss out the fics that have those kind of problems with plot - you don't need to score them.

    Flow - 10

    Flow: Scoring is based on how everything fits together and if it is written coherently. (Of course, if a fic is meant to be choppy/incoherent-ish, and it is obvious to the judge, no points will be taken off.)


Again, why hasn't a fic like this just been weeded out of the contest? If it's incoherent, toss the fic. This isn't tough folks.

    Characterization - 15

    Characterization: Scored on the development of the characters. Any OOCness will be marked off--ex., Duo acting womanish, weak, being a "braided baka", etc. (Unless a fic is humor, in which case OOCness is usually intentional...)


So 15% out of a 100 goes to the single most important aspect in fanfic. . . 'kay.

I can name two fics that won that were completely off on the characterization. Characters were bastardized at will with no explaination for it other than it fit the plot better to do it.

And just to reiterate this: comedy fics are funnier when the characters are IC. If they're OOC, then why should we find that funny in relation to the fandom?

    Creativity - 15

    Creativity: a.k.a. level of clichéness. Original ideas are a very, very good thing. (And if you haven't been in the fandom long enough to figure out what's cliché and what isn't...I pity you.)


I wouldn't find this half as offensive if they hadn't included that last parenthetical sentence - given that half the fics that won were so full of clichés, it's quite obvious the judges don't know what clichés are either.

    Category Specifics - 30

    Category Specifics: Scored on things specific to the category the fic is entered in. For example, if a fic is entered in the Lemon category, the quality of the lemon will be scored in this part.


Again, what the hell is this even doing on the scoring list? If something is entered into the wrong category then OMIT it! Or add it to the correct category if you notice it's in the wrong spot. And 30 points? 30 points is based on whether a nominator managed to enter the fic in the right category? That has nothing to do with the author or their writing ability. That's 30 points, the highest amount of points in the scoring categories, based on someone else entering the fic in the right spot.

And let me tell you, many of those fics were in the wrong spot. One of my fics was entered into romance. It wasn't a romance. It had a few romantic elements in it, but the overall fic was definately not a romance. It was also listed as a 1x3x1 - the pairing is actually 1+3. There was no sex in it. A friend of mine had her fic listed as a 3x4 - Trowa and Quatre only met in the story. That's it. Not only was there no sex, but no romance implied. All they did was meet. So if our fics were that mislabeled, I've got to wonder how many people had 30 points go down the drain for that same reason.

I've always had problems with the point system - I really don't think it works well - but I can understand it's use in fic contests that span 20 categories and have 60 nominations entered in each. It's just easier, I get that. But 1) we have Nanashi to take care of that type of contest - do we need 50 more of those? Probably not. Nanashi has problems, but they handle them a lot better. 2) if you must have a huge contest like that, make sure you point system makes a little bit of sense. Don't give the most amount of points over something the author has absolutely no control over. 3) Make sure your judges understand all the rules. I've got to say, availability does not a judge make. Screen them a little before accepting them.

That's my rant.
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